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Deep space sparkle one fish two fish
Deep space sparkle one fish two fish









Seuss art project by adding some glitter.

deep space sparkle one fish two fish

Take the other white paper and paint stripes from one side to the other. If you wish, you can glam up your Dr. This is a great project for practicing cutting skills! Once the painting dries, trace over the lines with black oil pastel and add some patterns with other colors of oil pastel if you wish.Ĭut out the fish. The blue straight out of the container can be very dark and cover the oil pastel lines too well. It helps too add a bit of liquid white tempera paint to both the yellow and the blue to soften the colors. Use red, yellow, green and blue tempera paint colors to paint inside each shape. Pretty basic instructions, but if you look at the kids drawing you’ll see that any shape will do. Do the same for the swimming fish and add a funny looking tail. Whatever you like!įor the standing fish make fins and add lines inside the body for scales. Swimming: starting in front of the eye, move the pastel along the top of the paper to form an arch, then make another line starting at the eye draw a line around the bottom of the paper towards the tail.

deep space sparkle one fish two fish deep space sparkle one fish two fish

Then, draw a similar line on the opposite side and join together at the tail. Standing: Draw a curved line over the top of the eyes and move the line all the way down the paper and curve up like a letter “J”. I do a directed line drawing for both.ĭraw two dots for eyes for standing fish or one dot for swimmingĪdd a circle around the eye(s) and add eyelashes if you wish I point out the different fish illustrations in the first few pages of the book One Fish, Two Fish, Red Fish, Blue Fish, then on the white board, I draw two styles of fish: one swimming across the paper (horizontal) and one standing up (vertical). Starting at the far left (if they chose a swimming fish) or near the top (standing fish) gives the children plenty of space to draw the body. Here’s my thinking: The children can’t erase the oil pastels, so you want to make certain they leave ample room to draw the body or else the fish might be small.

Deep space sparkle one fish two fish free#

I like to have the kids point to where the eye should go and then when they get a thumbs-up from me, they are free to draw a black dot. The younger the student, the more time you’ll need demonstrating eye placement. blue, yellow, green and red tempera paint.Seuss-inspired lessons, check out The Members Club. Inspired by my favorite “One Fish Two Fish”, this lesson is perfect for any lower elementary grade including Kinders. Seuss Day art project for your little ones. He could not have been more wrong about anything if he had tried to be. He is positive attitude, high ambition and wishful thinking, unsupported.

deep space sparkle one fish two fish

Ed Wood's is, sadly, the more often played scenario. VanGogh is perhaps the best case scenario of a loser who cranked away, certain he was onto something, who is lucky enough to have the entire world one day concur. No matter what, you have to admire his staying in the game. He stuck incongruous, obvious stock footage into his magnum opus, knowing the poetry would arise from the montage he improvised long stretches, fully certain he would get the same results Welles could working under similar circumstances he tried valiantly to coax performances out of wretched actors, or fatally self-conscious non-actors, like Criswell and Vampira, and put them in no matter how their work turned out ("No time to re-shoot!"). Ed Wood put on nylons and pumps and, making sure his seams were straight, marched into the fray of life like a true Hero Born. Bottom line, no matter what cards you get, you can laugh or you can cry at life. If all ambition cannot culminate in a Citizen Kane or a Vertigo, maybe it gives us a moment to mourn quietly for the rest of us, the ones who worship genius –as Ed Wood no doubt did– without being geniuses ourselves. If Plan Nine is awful, it is probably so precisely because it IS so grandly ambitious. Maybe we should have to look at that scene before watching this film. There is a scene in Tim Burton's Bio-flick/homage to Ed Wood where the director bumps into Orson Welles in a Hollywood watering hole-in-the-wall, and gets a brief spirit-lifting speech from the great one about remaining true to your vision and not letting the clerks and backers (who ARE clerks, regardless where they live or what fate finds them doing for a living) get you down.









Deep space sparkle one fish two fish